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Current Line-up:

Eric Oblander – Vox/Harp (1995 – Current)
Brad Coffin – Guitar/Vox (1995 – Current)
Steve Smith – Bass (1995 – Current)
Phil Durr – Guitar (2013 – Current)
Tim Gahagan – Drums (1999-2000, 2014 – Current)

Former Members:

Jean Paul Gaster – Drums (2005 – 2013)
Mike Alonso – Drums (2001 – 2005)
Jim Armstrong – Drums (1995 – 1998)

Five Horse Johnson are a blues band, yes that is true, but to just call them a blues band would be akin to calling Cream or the Jon Spencer Blues Explosion simply “blues bands.” Yes, they are driven by the basic elements of the blues, but there are many other spices in this gumbo.  The tools may even seem familliar; harmonica (Eric Oblander), Guitar (Brad Coffin), Bass (Steve Smith) and Drums (Jim Armstrong).

Their debut release Blues For Henry… was recorded at the historic blues mecca Hines Farm, where such luminaries as John Lee Hooker, T-Bone Walker and Count Basie performed through the ‘50s and ‘60s. To capture that veritable spirit, 5HJ recored  Blues For Henry… live with no overdubs.

Five Horse Johnson have shared the stage with the likes of Big Sugar, War, Big Chief, The Kinsey Report, Brother Cane, Speedball, Duke Robillard, Dick Dale and a bevy of other heavy weights.

Reared in the world of punk rock and independent music, Steve and Eric were founding members of the seminal rock band Gone in Sixty Seconds, who released two records of their own. Brad funked it up in the proto-funk band the Great B-B-Q Gods, while Jim has studied  percussion under master drummers in Ghana.

Since picking up the Harp, Eric’s work has been spotted on Detroit diva Thoretta Davis’ Sub-Pop release, and on Big Chief’s Platinum Jive on Capital Records.

Bending and twisting the old idea of the blues while tipping the proverbial hat to select masters such as Howlin’ Wolf and Junior Kimbrough is the aim of 5HJ’s new full-length CD, Blues For Henry…  Look for it on Toledo’s Sin Klub recording label.

Blues: a. a song, originating with American blacks, that is marked by the frequent occurrence of blue notes, and that takes the basic form, customarily improvised upon in performance, of a 12-bar chorus consisting of a 3-line stanza with the second line repeating the first. b. the genre constituting such songs.


The blues means many things to many people. To some, the purists, it is the scratchy honesty of Robert Johnson with his devil-fueled fretwork. To others, it is the giants that followed him, from Howlin’ Wolf and Muddy Waters to the Kings – Albert and BB. To others still, it is the rock ’n’ roll that those old guys influenced, be it Cream, the Stones or early Fleetwood Mac.

The truth, of course, is that the blues is whatever you want it to be. If a group of musicians wants to drink a few beers or a quart of bourbon, smoke some unfiltered cigarettes, plug in a guitar, see what happens and call it the blues, who are we to argue?

When Five Horse Johnson formed back in 1995, referring to itself as a Blues Band, a few brows might well have been furrowed. However, this is a band that has always understood that the blues isn’t a formula, but a way of looking at the world; their take on the blues is as a dirty, sensual thing, enhanced with a healthy dose of humor.

Five Horse Johnson is now seventeen years and six albums into its career, with a seventh about to drop. The band has dug out a niche of its own, combining their love and respect for traditional blues and classic rock to become one of the most loved and respected bands in the stoner rock community. Always a freight train live, the band has toured hard with the likes of Clutch and Halfway to Gone, in the process gathering fans, friends, and drinking partners all over the world.

Five Horse Johnson’s new album, The Taking of Black Heart is due for release via Small Stone Records in January 2013. It is the band’s first full-length record since 2006’s The Mystery Spot, which saw Five Horse Johnson, with the help of Clutch’s Jean Paul Gaster helming the drums, create its strongest album up to that point.

That record saw Gaster and Steve Smith provide more power than a Super Hemi. Brad Coffin’s guitar never sounded lither and his voice never stronger. Eric Oblander’s harp, meanwhile, is as sharp as a tailfin, his gravelly vocal delivery a growling, howling counterpoint to Coffin’s gruff style. Other collaborators on The Mystery Spot included Roadsaw/Antler’s Craig Riggs and Big Chief’s Phil Durr and Mark Dancey. Durr is now an official member of the band.

During the time away, Durr has been working with fellow Small Stone band Luder, while Oblander was chosen to front a semi-reunited Necrosopening for hardcore heroes Negative Approach at St. Andrew’s Hall (the band was named Sorcen – Necros spelled backwards).

Now though, Five Horse Johnson is back, preparing to rip the world a new orifice all over again with The Taking of Black Heart, which again features Gaster on drums and is produced by J Robbins of Jawbox(who also contributes some organ and percussion).

The Five Horse Johnson lineup for the album is Eric Oblander (vox/harp), Brad Coffin (vox/ guitar), Steve Smith (bass) and Phil Dürr (guitar). The album also includes a special guest appearance from Robin Zander of Cheap Trick, who contributes vocals on the song “You’re My Girl (I Don’t Want To Talk About It)”.

The Taking of Black Heart was recorded at the Magpie Cage in Baltimore, MD. The vocals were recorded at Kozy’s Chop Shop at Sunroom Studio in Detroit, MI by Bill Kozy and Erik Maluchnik. “You’re My Girl (I Don’t Want To Talk About It)” was produced by Bill Kozy. The album was mastered by Chris Goosman at Baseline Audio Labs in Ann Arbor, MI. Fine arts are by Mark Dancey, and textiles are by Vince Williams at Creative Print in Warren, MI. Executive producer is Scott Hamilton. Robin Zander appears courtesy of Cheap Trick.

Five Horse Johnson is not a band that makes apologies. A decade into its life, compromise is not an option. The truth is, this is hard, heavy, dirty blues rock ’n’ roll for people that like that sort of thing. This music is for people who like the sound of an engine roaring or the feeling obtained by following a cold beer with a shot of good whisky. Five Horse Johnson will gladly kick your ass, and then wait for you to say thank you.

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